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points
lines surfaces
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a specific aim: to prove that it is possible to construct a complex architectural organization without resorting to traditional rules of composition, hierarchy and order. |
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| constructivism |  |
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the
principle of superimposition of three autonomous systems of
points, lines and surfaces was developed by rejecting the totalizing
synthesis of objective constraints evident in the majority of large-scale
projects... the parc became architecture against itself: a dis-integration.
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| architectonic and volumetric configurations | ||||||
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the project manipulates numerous elements, from art gallery to a science museum, from a rock concert hall to performance workshops, which reciprocate by creatively structuring the whole. | ||||
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| It is an attempt to make planning usefully unplanned. It is a superb example of a socio-creative philosophy of the future in action, of art as open-ended social planning. | ||||||
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another goal: to displace the traditional opposition between program and architecture, and to deconstruct architecture by dismantling its conventions, by using concepts derived from both architecture and from elsewhere - from cinema, literary criticism and other displines. |  |
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analysis
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1929: desurbanist proposal - russia | ||||
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illustration
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| abstracts from cinegram folie by new designs - Butterworth Architecture. | LINKS: http://www.tschumi.com | |||||
