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| Eros, 1923 | Distillation of Pears,1921 | A Face, also of the Body,1939 |
| left: based
on mathematically proportioned colour-movements... middle: mechanical constructions to be understood as erotic symbols... right: 'I imagine face and genitals to be the corresponding poles of the female sex...' |
| Portrait - like |
| Mask for Falstaff,1929 | Portrait of Frau GI,1929 | Mr Pearly-Pig, 1925 | Self-Portrait,1922 |
| Coloured Polyphony + Structural Rhythms |
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| Monument on the Edge of Fertile Country,1929 | Fire in the Evening,1929 | Polyphonic Setting for White, 1930 | 'Florentine' Villa District,1926 |
| left: the
ground is divided into horizontal strata and their breadthcan be read ... middle-left: a picture moves from nature and yet finds its way back to reality... middle-right: a conflict between exotopic and endotopic form... right: the cubistic division of surfaces into fields of colour ... |
| Reference: Paul Klee and the Bauhaus by Christian Geelhaar -NY ISBN 0-8212-0505-6 |
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