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Deconstructivist Art: : valerio adami and zoe zenghelis, matta-clark ...

monsieur madame,1976 study for drawing after glass,1975 camera da letto,1970
   
back to bombay, 1977
urban landscape,1983 silent sea,1989




tall red ,1989 buildings in the moonlight,1987 refractions,1988
Moving from deconstructionist architecture to deconstructionist conceptual art, a work is deconstructionist if it deliberately presents then complicates and fractures a meaning or set of meanings. For instance, Dan Graham's work (not yet presented here) does this to disclose the possibility of a desirable basic meaning, but one which is never reached in the creation or 'active contemplation' of the work, because it remains to be created by observers... Graham rearranges elements of one style or of several styles, and thus 'defamiliarises' or alienates them so that the observer begins to perceive the possibility of a, if not 'the', very different reality 'underlying' the seemingly secure conventions by which we are said/shown to be enslaved. By superimposition, the work may go on to suggest other conventions, more appropriate to our condition. In some cases it is content to carry out the first step of defamiliarisation.(John Griffiths)
urban landscape,1983

silent sea,1989




tall red ,1989 buildings in the moonlight,1987 refractions,1988
Pictures drawn from : Deconstruction - Volume Omnibus (Papadakis,Cooke &Benjamin)

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